EXPO 2014- Rubric Answers

 

 

 

Information Literacy:

Digital Media and Movie Making-

Through the creation of “The Sound of Preservation” we made sure to communicate and interview those who are leaders in the sound engineering fields, as well as the leaders of the responsible brand, Telefunken.The professionals include;

Bill Ryan

Senior Design Engineer and Owner of Studio

Travis Bell

Owner and Sound Engineer for Adorea Studios; he was able to give us the perspective of a consumer of Telefunken wear.

Alan Veniscofsky

Director of Operations for Telefunken

We also spoke to a couple of the interns within the company providing us with an inside look as to what the company is all about.

For this documentary we wanted to expose Telefunken and the authentic sound that is being preserved which is truly no match for the modern technology. We were able to use Telefunken microphones in our film, and were amazed at the results. In comparison with the sound generated through a commercial sound recorder, the sound was much more “vibrant” and “real.” As Travis Bell indicates in his interview vacuum tube technology generally gives you a real representation of what you would hear if you were in the room, and that is priceless, not only for those who compose pieces of music, but also those who buy it and listen to it on a daily basis.

 

Digital Media and Marketing-

Royal Trash has social medias include

Twitter: @RoyalTrash

Instagram: thesoundofpreservation

Facebook: Royal Trash

Website: http://www.thesoundofpreservation.com

We also make sure to promote our products social media which includes: 

Twitter: @TELEFUNKEN_Mics

Facebook: Telefunken Elektroakustik

Instagram:telefunken_mics

Website: http://www.telefunken-elektroakustik.com

Our intended audience is sound engineers, as well as up and coming young artist whom might be interested in the brand. 

 

Collaboration:

Digital Media, Movie Making, and Marketing-

Our Production company split roles based on everyone's strengths.

Royal Trash is made up of

Nicole Rivera -Leader and Editor

Anna Mohd-khairi- Communications/ Press Releases

Elliot Rivera - Cinematography

Tara Minaee- Designer of website

We have also in efforts to create a strong EXPO group have integrated other members of the DM3 class into our group. These include dividing the responsibilities as followed;

Research Group: Marianna, Nasz, Jordan, Tyler, Khodja, and Dominik

Instagram Updates: Nina, Edgar, and Khadesia

Facebook/ Communications(Presentation):Carly, Sofia, Odia, and Karla

Twitter: Quinn, Tyana, and Josue 

 

Communication:

The targeted audience is the young and upcoming artist who might be interested in the brand due to its vibrant and rich sound that can be produced. Also we wanted to make a film that would be played in the Telefunken environment, which is made up of young and happy individuals who are excited and engaged with the idea of innovating and re-creating this great technology. Therefore sound and picture as well as speed of the documentary must be engaging and really eye opening. We tried to keep our audience in their feet, and really interested in what the Telefunken brand is all about. By using DSLR cameras as well as Telefunken microphones and even LED lights we were able to create a clear image, that was eye appealing and fun to watch. By having multiple cameras we were able to make good use of our time on set and make the most of all of our interviews. Therefore by incorporating 3D images such as the Blender logo at the beginning of our trailer and our documentary we were able to add a unique style and twist to our documentary that is very unique to both Telefunken and our production company. The Sound of Preservation is the product of a great collaboration between the sound family at Telefunken Elektroakustik and the digital media program at Engineering and Science University Magnet School. Through communication we have establish a partnership, and we have been able to not only receive great products to show off at our EXPO booth, but also provide some promotion for the company, and even digital media work such as the film itself.